William K Elliott
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The Backroads

10/21/2021

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A view found behind a gas station!
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I recently took a trip from our home in Tennessee to visit my folks at their home in The Villages, Florida. I've taken these trips before, and while I love visiting and helping out while I am there, I hate the trip. This time, I tried something different; I drove the backroads.

     Until the highways replaced the spider's web of smaller roads draped across the US, the roads passed through small towns and burgs. The hotels, motels, restaurants, and other businesses patronized by the travelers were owned, operated, and staffed by people from the local communities through which the roads passed. The locals also patronized these businesses, and people tended to know those who owned and staffed them.
PictureA nameless 4-piece band of friends playing outside a café in Micanopy, Florida
     

​Then the interstates took over, bypassing all those little towns and their businesses. The towns were replaced by rest-stop businesses, franchises and company stores, owned by people far from the communities which supplied the workers who staffed them. Even then, the workers came from no single community, but were drawn in from miles away, few knowing those with whom they worked. Meanwhile, the small towns died.

     And now we are left with traveling through places as homogenous, and anonymous as tapioca, everything the same, with nothing left but a frantic urge to get to our destination before the indigestion sets in from yet another fast-food sandwich in one hand while the other aims the car down another stretch of highway indistinguishable from the last.
PictureKatrina, the owner/operator of High Points Coffee & Books in Ashland, Alabama
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      And just like you, I have spent many a trip just droning along on the madness that is "the highway." But this time was going to be different. This time I was going to take the backroads.

     It took a bit of time, maybe an hour or so, to find the best way to go. There are settings on many GPS devices to "avoid highways," but don't use them. Trust me. I tried that setting on my trip back from Florida and had in interesting tour of Georgia, but didn't make a huge amount of headway on my trip! Instead, map your trip on your favorite online mapping service, then find the best waypoints to program into your car's GPS (in my case, an older, built-in Garmin). 

     Taking the backroads added several hours to my trip, but not necessarily as many as you might expect. By going the backroads, I completely avoided the traffic jam that is Atlanta, plus a few other traffic hotspots. 

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Somewhere...
     To make the trip even more enjoyable, I decided to break it into two days, stopping any place I found interesting, eating wherever it looked good, and choosing my stopping point based solely on when I felt like stopping. 
PictureThe Town of Micanopy, Florida, where they filmed the movie "Doc Hollywood" staring Michael J Fox
      
     Along the way I met many great people.

    There was the lady at the little restaurant who interrupted my placing my order to tell me, "Oh, hon, I almost forgot to tell you. It's Thursday, that means it's rib day, and we just took them out of the smoker" (I promptly changed my order). 

     And Katrina, the owner and barista at High Points Coffee & Books where I had to stop to let a headache die down before returning to the road. The coffee was terrific, as was the conversation with Katrina and the other patrons. Katrina and her husband are from California, but now live in the Ashland, Alabama area with their 4 children. Both she and her husband are retired Navy.  

      The coffee was terrific, as was the conversation with Katrina and the other patrons.   

     A 4-piece band outside a little café in Micanopy, Florida was quite enjoyable, as was the deli sandwich. 
PictureA beautiful old home in Micanopy, Florida

     I stopped and took photos whenever something caught my attention. The rest of the time I just cruised, the radio playing, the top down, the air conditioning blowing cool air to combat the heat.

     The most surprising thing to me was, when I stopped for the night or arrived at my destination, I wan't fatigued like I would usually have been. I was tired, for sure, but not that collapse on the bed and sleep for 10 hours kind of fatigue long miles on the interstate seems to bring on.

    If you have the time, give it a try. It takes some extra planning, but I think you'll find it's worth it. Drop a comment and tell me how your trip down the backroads went. I'll be anxious to hear.
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An old truck somewhere... I don't remember where... between east Tennessee and Florida
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I'm Back!

8/19/2019

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I'm back! No, really, it's true! 

It's been too long since I've been here. Over the last year or three I've moved, payed off a lot fo bills, bought and sold a few motorcycles and a couple of cars, and had prostate cancer (surgically removed). 

I'm even writing again. So head on over to my new motorcycle themes blog (top-right, "Ten by Two," and check out my latest mechanical project, and stay tuned to see what's been going on in my writing world.
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For Hannah

11/4/2016

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On Tuesday, November 1st, the world lost a woman who will be missed even by those who never met her. Hannah Eimers, you were an artist, a jokester, a writer, a young lady, a role model, a friend. Your song stopped playing far too soon. Your melody lingers, the lyrics echo, the love you put into each note and word will forever be in so many hearts. We miss you Hannah. My God do we miss you.

I first met Hannah as her teacher. I was a volunteer at a local homeschool co-op, while she was a young student. Always punching above her weight, she tackled assignments and topics kids many years her senior seemed to have trouble with. Her grades were excellent, and her ability to be both a silly kid and a mature young lady never ceased to amaze me. Hannah graduated the 12th grade at 15.

As time went on, I became Hannah's mentor. She was a budding young writer, and we eagerly swapped story ideas and techniques, and frequently critiqued each other's work. Hannah and I also spent a good amount of time in conversation concerning our faith, and she was always ready with a tough to answer question, along with her own ideas and observations. 

And then, as Hannah matured into a young adult, we became friends. Being Hannah's friend was easy as she brought so much light and love into a room, you almost couldn't help it. 

Hannah wanted to work in film. She interned with a production company, and worked on Burt Reynolds's upcoming movie "Dog Years." Never one to be "star struck," she interacted with Mr. Reynolds and the other stars in the film as though they were simply new found friends. She even brought her pet hedgehog to the set to meet Ariel Winter.  

​But now Hannah is no longer with us. On November 1st, Hannah passed away in a car accident. Her eyes have now beheld Him. Hers have seen the one aspect of Him that only she can reflect. She has her stone, her new name that only she and God will know. They say only the good die young, and such is certainly the case here. She did more to reflect God's Light in her short time on earth than I have done in 48 years. You will be missed Hannah Eimers. You already are...

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For Veteran's Day

11/11/2012

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To all those who left their homes and families; to all those who watched as their father, mother, son, daughter, sister, brother, husband, or wife boarded a plane, train, or ship; to all those who did what needed to be done, even when they were scared beyond all they had ever experienced; to all those who lost a buddy, a friend, or just the guy next to them in the foxhole; to all those who received a call, letter, or telegram informing them that their loved one would not return; too all of you, a sincere and heartfelt thank you. Your sacrifice, your loss, and your courage will not be forgotten.

William K. Elliott

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Honesty Is The Best Policy

11/2/2012

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“No legacy is so rich as honesty.” –William Shakespeare

The writing was going exceedingly well, with the words coming almost faster than I could type them (I am not the world’s greatest typist).  And then came that word. It was a horrible word. It is a horrible word. I don’t exactly have the cleanest of language at times, and yet this particular word had only ever escaped my mouth in the most stressful of times. And even then, only once or twice in my lifetime.

And yet there it was.

I deleted it—retyped it—deleted again.

For a while I just sat, staring at the blinking cursor.

The more I thought about it, the more I didn’t want to use that word. I despise it. I hate it.

The problem was, it was the only word that fit—the only word that my main antagonist would use. So I did what any squeamish author would do, I looked for other opinions.

And in one-way or another, they all said, “use it.” Stephen King, in "On Writing" put it this way, “If you intend to write as truthfully as you can, your days as a member of polite society are numbered.”

I still wasn’t thrilled with the idea. How could I be? Remember, I hate that word. Now there is only one other person I know whom I can trust implicitly and, coincidentally, who hates that word as much as I do. She is my most reliable companion, my best friend, and my support system. She is my wife.

She didn’t even hesitate. “Absolutely use it,” she said, “that is exactly the word he would use." And so I did.

And here’s the thing, writing fiction is an act of honesty. You have to tell the truth. I know it might seem odd that I am telling you to tell the truth about a lie of sorts—after all, that’s what fiction is, a lie, a made up story. But the ruthless leader of a violent street gang isn’t going to use the word “lady” or “woman” when he’s demanding a subordinate murder the woman. He’s going to use a vile, degrading, and violent word. And if I fail to type it out simply because I don’t like it, my reader will pull back from the story. They’ll decline to continue their suspension of disbelief, and I’ll loose my credibility.

That’s why the rape scene in Stieg Larsson’s “The Girl With The Dragon Tattoo” is so frightening and violent. It had to be. If he had censored Nils Bjurman’s violence or Lisbeth Salander’s reactions, we as readers would have lost our trust in him.

That’s what fiction writers do, we tell the truth.


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Motorcycling as Plot?

9/25/2012

3 Comments

 
I know what you’re thinking, “OK Mr. Elliott, if you’re going to try and tell us that riding a motorcycle and writing a story have anything in common, you might be trying a bit too hard!”

Well … I am. Don’t get me wrong, I don’t think there’s much in common between the shifting of gears, counter-steering, and twisting the throttle on a bike and typing or writing out a manuscript. Motorcycles make nice props, and motorcyclists make good characters, but that’s not where I am going either.

Instead I would like to look at a system for safe riding (as taught by the Motorcycle Safety Foundation), and how it can help with plot. The system is called S.I.P.D.E.

S.I.P.D.E. stands for Scan, Identify, Predict, Decide, and Execute.

Scan: Think about your character. If you write out character sheets or develop portfolios for them, get them out and look them over. Get to know your characters. Look to their horizons, both the ones they want, as well as the ones that will occur.

Identify: Make notes of the key occurrences, reactions, and feelings each character will experience. Not just the ones that are central to your story. Nor should you limit yourself to only those that will occur in your book. You should be able to pinpoint those things that have had an effect on your character, whether they will be written in the manuscript or not.

Predict: Know how past experience and present disappointment will shape your characters as well as their actions. For example, when someone’s home is burglarized, they usually become angry. That’s the given. But some people loose a sense of connection to the place violated, while others suddenly feel vulnerable in all aspects of their lives.

Execute: Write it down! All of it, even the parts you don’t use. It’s OK to cut a lot of the background and ancillary “stuff” out, but writing it in the first place helps to develop the character more fully. It works the same in real life. When we describe something that happened to us, we don’t go into all the reasons we felt or reacted in a certain way, but all that “stuff” still had a bearing on the way we did.


William K Elliott

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Just The Facts Ma'am

8/28/2012

4 Comments

 
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I received this photo on Facebook. As you can see, it explains the difference between a Clip and a Magazine. I don’t know who created it (which unfortunately means I cannot give them proper credit) but I do know why it was produced; no one seems to get it right!

Which, I must admit, I find very puzzling.

I just finished reading The Millennium Trilogy (The Girl With The Dragon Tattoo, The Girl Who Played With Fire, and The Girl Who Kicked The Hornets Nest) by the late Stieg Larsson. In “The Girl Who Played With Fire,” Mr. Larsson describes the murder of a journalist and his wife. The weapon used in the scene, and referred to many times thereafter, is a “Colt .45 Magnum.” He also describes the “hunting ammunition” used as containing a “uranium core.” The problem with the description given is that there is no such production round as a .45 Magnum, and no small arms ammunition that uses depleted uranium. 

Do not misconstrue my purpose here. I thoroughly enjoyed reading the Millennium Trilogy. Moreover, I find the main character, Lisbeth Salander, to be captivating. She is such a complex and compelling person that I found myself talking to the book in effort to correct some or other misstep she takes so as to protect her! I also understand that the book was written in Swedish and translated into English, and that some of what I have written about above may be the result of the translation.

But what I wish to speak to here are not the mistakes themselves. We all make them. You, me, and the lady who delivers your mail; we all have information floating around in our heads that is categorically incorrect.  And twenty or thirty years ago, correcting each of these bits of inaccurate information would have required a trip to the library and a two hour search through all the various books written on, in the case of Mr. Larsson’s .45 Magnum and uranium tipped bullets, handguns and ammunition.  

But not today.

Today we have the Internet. At our fingertips, and from just about anywhere, we can access a treasure-trove of information that makes the famed Library of Alexandria look like a children’s dictionary with half its pages missing! And yet, for all that information, we seeming only use the thing to discover whose been kicked off Dancing With The Jersey Boys or whatever so-called “Reality” show happens to be popular today.

As author K.M. Weiland writes in her blog “Word Play” (www.wordplay-kmweiland.blogspot.com), “Without a foundation of solid facts, fiction folds in on itself like a house of Jell-O.” In fact, she lists “Incorrect Facts” first on her list of “5 Ways You’re Preventing Readers From Suspending Disbelief.”

And it’s true. The moment I stumbled upon that “.45 Magnum” in “The Girl Who Played With Fire,” I was instantly pulled out of the story thinking “there’s no such thing.” I even went to the computer to look it up! And the funny thing is, my search revealed the many others who were also troubled by the same error.

So, in deference to Jack Webb’s Sergeant Friday, “All we want are the facts, ma'am.” Incidentally, according to the Wikipedia page on Dragnet (http://en.wikipedia.org/wiki/Dragnet_%28series%29), this is the real quote, and not the often used “Just the facts ma’am.”

William K Elliott



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Tastes, Textures, and Smells.

7/24/2012

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“Most people are on the world, not in it-- having no conscious sympathy or relationship to anything about them-- undiffused separate, and rigidly alone like marbles of polished stone, touching but separate. ” –John Muir


Are you on the world, or in it? It’s not just a question for authors. When you get home at night, what do you do?

According to the A.C. Nielsen Co., the average American watches more than 4 hours of TV each day (source: http://www.csun.edu). That means the average 65 year old has spent nine years of his life watching someone else’s imagination!

Authors and readers can’t do that. They need to rely on their own imaginations. Sure, the reader has a guide consisting of whatever book he is reading, but it is only a guide. He relies upon his own fertile imagination to get the details right. Look at this passage from one of my current projects:

Elizabeth Barons sat in her bed with her knees pulled up to her chest.  Beads of perspiration ran down from her hair and mixed with tears slowly running from the corners of her eyes. A cold breeze blew in through the open window and goosebumps ran up both her arms. The deep purple light of the setting moon seemed to close around her. Her chest tight and each breath labored, she pulled the blanket up to stem the shivers that ran the length of her body, and sighed a long, deep sigh.

Describe Elizabeth. How do you picture her? What sort of clothing is she currently wearing? What color is it? What you see is different than what I see, and I’m the author! On TV, you just see what some dude in Wardrobe thought the character should wear.

Now, where it can get really interesting is in the details. I don’t mean the description of the third button down from the collar on Elizabeth’s nightshirt. You know, the one with the chip on one side, and the pearl blue marbling that runs through the pale pink as though the machine that made it still had some of the blue color left when it started making buttons that day? No, I mean tastes, textures, and smells.

Science tells us that the nose is, more so than any other organ, directly connected to the brain. So smells, and even tastes,  are a great way to connect with your reader, to give them something that gets right to the core of their being. Textures work well too. While they're not as definite as smells or tastes, they give the reader something to contemplate. Put them all together and your reader will feel as though they are really "right there" in your character's world.

Take a look at the two passages below. Which grabs your imagination more?

She found herself in a dark wood. The light from the moon filtering through the thick branches cast shadows that made the earth itself look cracked and broken.

Or this?

The smell of damp earth and rotting leaves filled her with dread. She felt a chill as dirt, soft, cold, and gritty worked its way between her toes. The light from the moon filtering through the thick branches cast shadows that made the earth itself look cracked and broken.

The thing is, you have to get out and take note of things. Feel the rain, the damp earth, the hot sun. You have to know what woods and dry leaves smell like. You need to feel the wind in your face, or the spray of water as the boat hits a wave. To really write, you have to be in the world, not on it.

So turn off that TV and get out there and write!
William K Elliott


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June 06th, 2012

6/6/2012

1 Comment

 

"We shall go on to the end, we shall fight in France, we shall fight on the seas and we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender."  -Winston Churchill

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On the morning of June 6, 1944, the Allied Expeditionary Force landed on the shores of Normandy, France, bringing the Western Front to Fortress Europe.

While all of the some 160,000 Allied troops are heroes to be remembered, some of the most impressive were the men of the 2nd Ranger Battalion. These men came ashore on the right flank of a 6,000-yard stretch of beach situated between Vierville and Colleville code named "Omaha." Here the 2nd Ranger Battalion assaulted a place called Pointe du Hoc. Atop one hundred foot high sheer and overhanging cliffs sat a German fortification designed to house a coastal battery of six-155mm Howitzers.

Unknown at the time, the Germans had moved these guns a mile and a half inland to protect them from Allied Air Force raids and Naval bombardment. Nonetheless, the fortifications gave the Germans an excellent defensive position from which they could harass then Allied troops massing on Omaha Beach.

Despite a heavy German defense, the men of the 2nd Ranger Battalion scaled these cliffs, driving the Nazis and their French collaborators from their bunkers and fortifications.   

These were and are True Heroes. To them, as well as all of the men of the Allied Expeditionary Forces, and especially those of the United States Army, Army Air Forces, Navy, and Marines, and the wives, parents, and children of those who served, let me extend my sincere and profound gratitude.

From the bottom of my heart, Thank you.
William K Elliott




Soldiers, Sailors and Airmen of the Allied Expeditionary Force!

You are about to embark upon the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you. In company with our brave Allies and brothers-in-arms on other Fronts, you will bring about the destruction of the German war machine, the elimination of Nazi tyranny over the oppressed peoples of Europe, and security for ourselves in a free world.

Your task will not be an easy one. Your enemy is well trained, well equipped and battle hardened. He will fight savagely.

But this is the year 1944! Much has happened since the Nazi triumphs of 1940-41. The United Nations have inflicted upon the Germans great defeats, in open battle, man-to-man. Our air offensive has seriously reduced their strength in the air and their capacity to wage war on the ground. Our Home Fronts have given us an overwhelming superiority in weapons and munitions of war, and placed at our disposal great reserves of trained fighting men. The tide has turned! The free men of the world are marching together to Victory!

I have full confidence in your courage and devotion to duty and skill in battle. We will accept nothing less than full Victory!

Good luck! And let us beseech the blessing of Almighty God upon this great and noble undertaking.

-Dwight D. Eisenhower

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June 05th, 2012

6/5/2012

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There is Hope!
by William K Elliott

Yesterday I met a woman named Emily. I met her in a local bookstore, and my guess is that there are two things about Emily most will not be able to guess: her age, and what she was doing there.

You see, Emily is 17. Even more impressive is that she was there to (you’ll never believe this) buy books. No, really—it’s true—I swear.

Not only was she buying books, but she was buying books other than the big “teen” hits.

Frankly, I was flabbergasted.

It’s not that I don’t know of other people under the age of 80 who also read, it’s just that I rarely run into new people who fall into this category.

There’s Kandyn from down the street of course, but I know her mom—reading is big in her house. She’s also in the home-school Co-op where I teach, and where there are a number of other teens who read. Violet and Priscilla immediately come to mind, but I am sure there are others. Violet is even writing her own book. But most of the kids?

I assigned a book report for the U.S. History class I was teaching. The kids’ response? “Mr. Bill, we don’t like to read.”

The problem is, reading is at the very core of learning.

When you can read (and I don’t mean just managing to sound out all of the words on a page, I mean reading and understanding what was written), you can conceptualize. You can turn words into thoughts and pictures, and thoughts and pictures into words. It’s a skill that is vitally important, and yet it seems that a majority of people “don’t like to read.” As one researcher put it, they’re “alitterate” not illiterate. They can read, but they choose not to, and in doing so they become poor readers.

Worse, they become poor thinkers. If you cannot conceptualize, you cannot conceive of consequences unless someone else spells them out for you. If you cannot conceptualize you’re at the mercy of those who can. You’re a sheep—a cypher—totally dependent on others for the what, how, and why of daily existence.

And who really wants to be a sheep?

So kudos to Emily, Kandyn, and Priscilla. They’re the leaders of our future. I just hope they like shepherding.

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    William K Elliott

    William is a member of that ever-popular group known as “Aspiring Writers,” also known as “unemployed.” He has been dabbling in writing for some twenty or thirty years, and has finally decided to “get down to business.” With inspiration from Steven King’s “On Writing,” and a lot of support from his wife, Kristy, he has been working on his first novel.

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